【新唐人2011年10月15日訊】中共六中全會召開前夕，中共黨報《人民日報》發表題為“文化高地正崛起”的文章，大讚重慶的唱紅歌，讀紅書是唱響了「社會主義的主旋律」。報導再次引起輿論界對當前中國文化界的動向，和重慶市一把手薄熙來仕途的議論。不過學者們表示，這是文革再現，中共窮途末路的表現。
《人民日報》“文化高地正崛起”這篇報導讚揚重慶市“唱響主旋律”，並堅持“社會主義先進文化前進方向”。
時政評論家伍凡認為，《人民日報》給薄熙來加油打氣，凸顯中共內部權力的角鬥。
伍凡：“人民廣播電臺，中央電視臺有沒有天天唱主旋律呢，有沒有唱紅歌呢，好像還沒有嘛，就重慶這一塊嘛，我想光靠共產黨吹捧，江澤民支持，薄熙來命不長啦。”
伍凡認為，中共又搬出文革那一套，說明中共真的要毀滅了。
伍凡：“人家一定會反抗啊，在30多年前，唱紅打黑比現在還厲害，全國都唱， 這些東西是違背老百姓的心願的，如果真的走到這一步，那共產黨真的是快走到絕路了，它沒東西了，拿不出任何東西了，要拿毛澤東的東西出來了。”
香港《動向》雜誌主編張偉國也向《新唐人》表示，所謂的文化改革，是文革的一個翻版，重慶市的唱紅歌，讀紅書是想用原來的方法堵老百姓的嘴，為權貴們的腐化墮落提供環境。
張偉國：“他要回文革又回不去，事實上紅歌的東西也很難繼續下去，因為他是要靠政府，靠政府的資源，重慶搞唱紅歌把電視臺的廣告拿掉，佔用上班的時間，統一服裝，這種花費，這種資源的消耗都是貼進去的，中國已經有過一次文革了，他成為主旋律，就意味著中國向著文革，向著毛時代倒退。”
前北大新聞系教授焦國標則在《我為甚麼不擔心毛左復辟》一文中寫道：毛時代的五種政治賤民，加上被株連的親屬，直接被毛左禍害的人不下1億之多。從毛時代走出來的其他幾億人，政治上雖沒有遭受大傷害，起碼遭受過毛時代的物質匱乏之苦，和視覺、聽覺方面的人道、良知傷害。
據張偉國分析，隨著改革開放，中國社會多元化的成分越來越大，人們的見識也越來越廣，中共統一思想的文化體系已經崩潰，很多想在十八大有所表現的中共領導人，企圖再一次恢復原來慣用的一套。
張偉國：“薄熙來是最突出的一個，唱紅歌使得中國的文革思潮復辟，到了一個新的高度，毛的左派也公然把它當作一個新的領袖，另一方面，也證明了中國這個社會失去了一個發展方向，在一種十字路口，從上到下都迷茫，除了既得利益集團、特權階級抓緊一切機會撈一把，其他的他們甚麼都不管了。 ”
據張偉國觀察，薄熙來在國內外媒體大造聲勢，企圖使他的影響蓋過當政8年的胡溫。不過，伍凡認為，薄熙來的做法只會把人嚇跑，有錢、有本事的人會抓緊移民外國。
新唐人記者劉惠、李若琳採訪報導。
CCP Mouthpiece ‘People’s Daily’ Cheers For Bo Xilai
On the eve of the Sixth Plenary Session of the
Central Committee of the CCP(Chinese Communist Party),
People’s Daily, CCP’s mouthpiece, published an article
entitled “Highland of Culture is Emerging”, praising the
singing of ‘red songs’ and reading ‘red books’ in Chongqing and that it
demonstrates " the main theme of socialism."
The report once again aroused public discussion
on the moving direction of China’s cultural field and
the career of Bo Xilai, CCP Secretary of Chongqing.
Scholars said that this is the recurrence of
the Cultural Revolution, showing that the CCP has
driven itself into the ground.
A report in People’s Daily, entitled
“Highland of Culture is Emerging”, praises
Chongqing authorities for “singing out the main theme” and
adhering to “socialist advanced culture.”
Wu Fan, a political critic, comments that People’s Daily is
cheering for Bo Xilai, highlighting the power struggle
inside the CCP.
Wu Fan: “Does China National Radio or China Central Television
sing out the main theme every day? or sing the red songs?
The answer seems to be NO, Chongqing is the only one.
I believe that only by relying on CCP’s boasting, and Jiang Zemin’s
support, Bo is approaching the end of his career.”
Wu Fan said that the CCP is once again up to its old tricks
from the Cultural Revolution era. This serves to prove that the CCP
is indeed on the path to ruin.
Wu Fan: “Civilians will definitely resist this. 30 years ago,
the movement of singing the red songs and suppressing
the mafia was more widespread. Everywhere across China
got involved. All of this is against the public’s wishes.
If the CCP has really come this far, it is in reality close to
a dead end. The CCP has nothing to show now, so it
has to fetch out the old tricks of Mao Zedong.”
Zhang Weiguo, Editor-in-chief of Trends magazine
in Hong Kong, told NTD that the so-called cultural reform
is actually a replica of the Cultural Revolution.
The campaign of singing red songs and reading red books
in Chongqing aims to use the old method of blocking the mouths
of the masses, and providing a favorable environment of
corruption for CCP’s dignitaries.
Zhang Weiguo: “It is impossible to go back to theCultural Revolution era. In fact, even the propaganda like
singing red songs is difficult to continue, for such a practice
utilizes resources from the government. The TV ads have to
be removed for the program of singing red songs.
The activities occupy working hours and purchase uniforms.
The consumption of such resources
is out of the pocket of subsidy.
China has had a Cultural Revolution.
Now, letting the Cultural Revolution become the main theme
means that China is moving back to the Cultural Revolution,
to the era of Mao. ”
Jiao Guobiao, former professor of journalism, Peking Univ.
wrote in his article entitled “Why don’t I worry about
the restoration of the Maoist left,
“As many as 100 million Chinese people suffered direct harm
by the Maoist left in the era of Mao. This covers five categories
of political pariahs, plus their implicated relatives.
For the other several hundreds of millions in the Mao era
who did not suffer much in politics, they at least experienced
material deprivation and the hurt of humanity and conscience
in their visual and auditory aspects. ”
Zhang Weiguo analyzed that along with the opening up,
the diversification is growing inside China.
The public’s discernment has kept increasing.
The ideology of the CCP to unify thoughts has collapsed.
Many CCP leaders who want to gain political power in
the 18th CCP congress, attempted to restore the old ways
that they are familiar with.
Zhang Weiguo: “Bo Xilai is the most typical one. Singing
red songs revived the ideology of the Cultural Revolution.
Bo promoted it to new heights, so the Maoist left openly
regards him as a new political leader.
On the other hand, it proves that Chinese society missed
its direction of development and is stopped at a crossroad, entirely confused.
In addition to vested interest groups, the privileged class
seizes every opportunity to reap profits; they leave all others of this society alone.
Zhang Weiguo comments that Bo Xilai made big fanfare
in domestic media and overseas, attempting to overshadow
the Hu-Wen who have been in power for eight years.
However, Wu Fan believes that Bo Xilai’s action will
scare away the people, triggering those rich and capable
people to emigrate even more quickly.
NTD reporter Liu Hui and Li Ruilin
